When I wrote The Retreat to Avalon, the first book in my historical fiction series, The Arthurian Age, one of my goals was to immerse the reader in the world that the historical King Arthur would have lived in. Most people think of the later Middle Ages, with plate armor and tall stone castles, rather than the grittier world of chain mail or scale armor and hilltop wooden fortresses of Dark Age Britain. This is where another kind of art is invaluable.
As they say, a picture is worth a thousand words, so I decided to include a small picture at the beginning of each chapter depicting a scene from the chapter. Finding a good artist who can work with the level of historical accuracy I apply to my writing is not easy. And it is not cheap, but this is a labor of love. I’ve been lucky to find two such artists so far.
Dmitry Yakhovsky did the cover for The Retreat to Avalon and the cover and interior illustrations for the second book in the series, The Strife of Camlann. He also did the cover for my related novella, Hengist. For The Retreat to Avalon, the internal illustrations were drawn by Luka Cakić. You can click on their names to read articles about them and find links to more of their fantastic work.
Below, I am posting the images from the books, with a little information about each. As time goes on and new books are added to the series, I will add to this page, so check in whenever I release a new book. As a bonus, I am posting some images that were not released, for various reasons. I hope you enjoy them, but I do own the copyright to all the pictures included here and I reserve all rights. I do not give permission for any entity to use these images for the purposes of AI. These artists work hard at their craft and should not have it stolen from them.
Artwork of Book I, The Retreat to Avalon
Front and back cover of The Retreat to Avalon Art by Dmitry Yakhovsky
A view of Gawain’s home. The fort’s remains may be visited at Pollock Country Park near Glasgow. King Arthur art by Luka Cakić
A medieval version of rugby or football. Art by Luka Cakić
Gawain’s father explains the coming war. King Arthur art by Luka Cakić
“If it ain’t raining, we ain’t training” is probably a phrase soldiers in the Dark Ages would have identified with. King Arthur art by Luka Cakić
Dumbarton Castle, near Glasgow, as it may have looked in the Arthurian Age. Art by Luka Cakić
The army arrives at King Arthur’s fortress. You can visit the site today at South Cadbury Castle in Somerset. King Arthur art by Luka Cakić
Gawain arrives at the dark age fortress known today as Tintagel in Cornwall. King Arthur art by Luka Cakić
King Arthur’s army sails for Gaul. Art by Luka Cakić
The first battle of King Arthur’s war in Gaul near modern Nantes, France. Art by Luka Cakić
King Arthur admits Gawain to his household guard. King Arthur art by Luka Cakić
King Arthur’s famed cavalry charges. King Arthur art by Luka Cakić
The ancient sanctuary at Avallon, France. Art by Luka Cakić
Artwork of Book II, The Strife of Camlann
Front and back cover of The Strife of Camlann Art by Dmitry Yakhovsky
Gawain goes to Cathures, modern Glasgow, in search of a craftsman. Art by Dmitry Yakhovsky
Neither were happy with this situation. Art by Dmitry Yakhovsky
Rhian admires an old Roman villa near Amesbury, Wiltshire. Art by Dmitry Yakhovsky
Repairing a ship near modern Carlisle, Cumbria. Art by Dmitry Yakhovsky
Irish raiders disembark on a river in Cheshire, north of Chester. Art by Dmitry Yakhovsky
The old Roman forum of Chester, in Cheshire, turned into a marketplace in the Arthurian Age. King Arthur art by Dmitry Yakhovsky
A trader heads to sea on the River Dee in Cheshire. King Arthur art by Dmitry Yakhovsky
You can still visit this fateful rock in Ruthin, Denbighshire, Wales. King Arthur art by Dmitry Yakhovsky
A rare moment of peace in a fort you can visit at Walwyn’s Castle, Pembrokeshire, Wales. Art by Dmitry Yakhovsky
Cair Cerin, modern day Cirenchester, Gloucestershire. Art by Dmitry Yakhovsky
Myrddin (Merlin) meets Viviane. Art by Dmitry Yakhovsky
The famous Battle of Mount Badon. You can visit this site at Liddington Hillfort in Wiltshire. King Arthur art by Dmitry Yakhovsky
Arthur’s Men rushing to yet another crisis. King Arthur art by Dmitry Yakhovsky
Travel in the Arthurian Age was always arduous and risky. Art by Dmitry Yakhovsky
Callewic, later Celliwig (meaning “Forest Clearing”), is the oldest reference to Arthur’s court. It may have been Kelly Rounds in Cornwall. Art by Dmitry Yakhovsky
A skirmish in the opening moves of the Battle of Camlann, where Arthur and Mordred are said to have fallen. King Arthur art by Dmitry Yakhovsky
The ancient monastery at Glastonbury is said to have been the site of Arthur’s burial and came to be associated with Avalon. This story explores how that may have happened. King Arthur art by Dmitry Yakhovsky
Hengist Cover
Hengist is not technically a part of The Arthurian Age trilogy. Partly because it is a novella and would have made the series four (or six- more on that later) books, but mostly because The Arthurian Age is seen from the perspective of the Britons, while Hengist is from the perspective of the Anglo-Saxons that the Britons fought against. The fact that no one had made a story based on J.R.R. Tolkien’s theories of Hengist, and the way that it melds into the opening of the Arthurian Age, made me stop and write that story. I’m glad I did, because the research is making book 3, Three Wicked Revelations even better.
Front and back cover for Hengist showing the protagonist and the three ships he brought to Britain. Art by Dmitry Yakhovsky
Alternative Covers and Illustrations
Here are some alternate covers and images that weren’t used in the books for various reasons. I hope you enjoy them.
This was almost the cover of The Strife of Camlann, but I wanted the cover to portray something more than just Arthur’s last battle. The cover we used was symbolic of more, I thought. Art by Dmitry Yakhovsky
This was the first cover I envisioned for Hengist, showing the arrival of Hengist’s three ships. However, one of the benefits of working with a great artist is that they can tell you when something else will be more impactful. Art by Dmitry Yakhovsky
This is the first time I’ve shown this image. It was my first cover concept, before I had a publisher. I’m really glad my publisher had a great cover artist so that this travesty never made it to print.
I love this piece, but it’s what happens when you fail to tell the artist some pertinent details, like they are all supposed to be on horses. I may yet find a use for it. Art by Dmitry Yakhovsky
Luka was unfortunately unable to commit to the interior illustrations for The Strife of Camlann, only having time for chapters 1 through 3. Luckily, Dmitry stepped in and filled his shoes for book 2, bringing his own style to the story. Art by Luka Cakić
Luka’s art for chapter two of The Strife of Camlann. The shadow in the background represents the island of Ailsa Craig, off the coast of Scotland. Art by Luka Cakić
The concept sketch for chapter three of The Strife of Camlann. Art by Luka Cakić
This is a sketch of Excalibur, or Caliburn as it is called in The Arthurian Age. Eventually I’ll show the real sword on a blog post and the incredible work my friend Bryan Custance did to create it and Arthur’s (and Uther’s) helm.
This is a representation of the Frisian town of Finnsburg, from Hengist, Beowulf, and The Finnsburg Fragment. I love this, but I decided to skip chapter art on Hengist because it was such a short book and some of the scenes were difficult to describe properly. Art by Tim Skipper
This is a concept sketch for the upcoming book 3, Three Wicked Revelations. It portrays Arthur’s father, Uther, at a pivotal point in The Arthurian Age. Art by Jay Piscopo
Please check back in, because more will come!
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